Page 11 - SUMMARIES OF GIOVANNI BOCCACCIO’S DECAMEON : A Visionary Journey In 100 Stories And 100 Etchings By Petru Russu
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Petru Russu’s Engravings for The                                      His one hundred and one etchings, defined by expressive dynamism

             Boccaccio’s Decameron                                                 and technical brilliance, recast Boccaccio’s characters as visual

                                                                                   archetypes that transcend time. Petru Russu’s interpretations not
                                                                                   only complement the narrative’s emotional depth but transform the
             Middle European Expressionism and The
                                                                                   edition into a rare synthesis of literature and graphic art.
             Decameron: Giovanni Boccaccio’s Timeless
             Anthology of 100 Stories, Brought to Life through                    This edition of The Decameron remains a timeless celebration

             Petru Russu’s 100 Fragmented Bodie Etchings.                          of human resilience, creativity, and cultural legacy, its stories
                                                                                   resonating just as powerfully today as they did centuries ago.



                                                                                   In Petru Russu’s engravings for Boccaccio’s “Decameron“, the
             Set in Florence, Italy, in 1348 amid the devastation of the Black
                                                                                   twisted frenzy of the bodies arouses an impression of true release.
             Death, The Decameron by Giovanni Boccaccio unfolds in a villa
                                                                                   It is a release that breaks limits, avoiding the difference between
             just beyond the city’s reach. Ten young people, seven women
                                                                                   styles, social situations, and historical-geographical sites. They
             and three men, escape the horrors of the plague and commit to
                                                                                   are not “illustrations” confined to a particular moment of European
             a storytelling ritual to preserve their spirits. Over ten days, each
                                                                                   history. Although within the images there are some allusions to
             member shares a tale daily, crafting a mosaic of one hundred
                                                                                   the fashion of that age, a sort of set-designing care, everything
             stories that reflect love, wit, tragedy, and the human condition.
                                                                                   is wrapped around a dance of vitality that doesn’t want to accept
             Together, they form Boccaccio’s enduring masterpiece, widely
                                                                                   stylistic appearances. In the end, the sensation we have is a
             recognized as one of the earliest and most influential works of
                                                                                   dépaysement deriving from this attitude, not from a method. A
             the Italian Renaissance.
                                                                                   dépaysement that is not a metaphorical book-learning distance,
                                                                                   but an aspiration for totality that excludes pedantic philological

             The themes explored, ranging from bawdy humor and romantic            discriminations.
             entanglements to moral allegories and social critique, offer a vivid

             portrait of medieval Italian society. Boccaccio’s writing balances    Petru Russu offers one of the acute variants of neo-expressionism,
             entertainment and philosophical reflection, often using colloquial    primitivizing in the sense of a surprising synthesis between, we
             language and satirical commentary to examine the corrupt nature       would say, early Romanesque reverberations and extra-European

             of institutions like the Church. In the tale of Patient Griselda, for   exoticisms, also resorting to the representational solution of the
             instance, Boccaccio describes how her husband subjects her to         fragmented body (body in pieces) in the engravings-illustrations for

             relentless trials to test her devotion, a story that doubles as both a   The Decameron.
             cautionary allegory and an indictment of cruelty cloaked in virtue.


                                                                                   While setting up his etchings, an art collector pointed out some
             In an extraordinary 20th-century revival, the edition illustrated
                                                                                   similarities with Chinese art. Someone else found analogies
             between 1983 and 1985 by Petru Russu, one of the most acclaimed
                                                                                   with the vivid chromaticism of popular Mexican engravings.
             graphic artists of the modern era, adds a striking visual dimension.
                                                                                   Nevertheless, the exoticism of Petru Russu’s images comes from
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