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MASTERS
117
Contemporary Artists
Collectible global art book
ISBN:
978-91-89685-18-5
released
December 2008
Hardcover, 264
PAGES
Edited and
Published by MOT
DIMENSIONS:
8.5X8.5 IN / 22x22 cm
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[The Meaning of the art Truth]
Many deal with art in
the world. And many of these paint, sculpt, draw and make
installations, using all sorts of media. Few, in truth, aim for or
obtain appreciable results. Intellectual ability, conceptual
lucidity, expressive command, expository clarity, acceptable basic
knowledge of the history of art and originality are prerogatives
very few have – they may be convinced, or believe, or hope they do,
after having outlined marks on a canvas, or made objects or video
graphic images, in short after having composed a work of art.
Cultural “massification” (now called globalisation), which has
indeed brought benefits, has also led to an impoverishing of culture
itself. However, the dissemination of culture, which invests ever
greater numbers of mediatic channels, has not succeeded in teaching
large numbers of people how to evaluate and discern. The massifying
effect has had a negative impact on the ability of individuals to
evaluate the worth of a work of art qua intrinsic value, or even to
evaluate a different relationship to art, whether it be ancient,
modern or contemporary. How many of us are really convinced and
fully understand that the use of a work of art may not only give
pleasure and be pleasurable, but above all promote a broadening of
cognitive horizons and personal spiritual growth? Very few, I think.
Mass culture has effected what could only be termed an example of
social blackmail on man: it has coercively imposed on the majority
what is deemed most useful for the system, at the same time limiting
the individual’s various choices – and therefore his or her
possibility of action.
Some critics even maintain that everything has already been done,
that nothing of any interest could ever exist again. They are
suspicious of and revile art that is able to induce pleasure or
convey messages, that has meaning; in truth, only because they have
nothing to say and do not want others to eradicate this nothing.
Why, though, if this is what they want, do they continue to publish?
Isn’t it contradictory for them to want to extenuate death, to
perpetuate mourning? Why did they start dealing with art? Why on
earth do they continue to deal with art, considering their premises?
Perhaps they only want to enhance their own prestige, their academic
careers, and this is how they are able to do it... Have these poets
ever posed themselves the problem of the consumption of art, or
wondered if what they write might ever reach a public made up not
just of people who make art, or want to make art, or study it?
(Excerpt) Andrea Pagnes, art critic, editor, Venice,
Italy
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FAMOUS
121 Contemporary
Artists
ISBN: 9789189685116
released
June
2007
Hardcover, 262
PAGES
EditEd and
Published by MOT
PUBLISHEd by MOT
DIMENSIONS: 8.5X8.5 IN / 22x22 cm
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page-by-page
Available Upon Request
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tRENDS
136
Contemporary Artists
Collectible global art book
ISBN:
978-91-89685-17-8
released
December 2008
Hardcover, 168
PAGES
Edited and
Published by MOT
DIMENSIONS:
8.5X8.5 IN / 22x22 cm
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[To mark the beginning]
It looks like a black line, rising at dusk. A sharp purple-grey
cloud that becomes obscure and then grows endlessly. While it rises,
the sky – with all its stars - begins to darken in my sight.
Picture it! It is as if someone – which I never knew - has abruptly
rang my bell, warning me that soon I’m going to get lost, drifting
away for this oppressive silence that lasts inside myself forever. A
silence always equal to itself, although capable to change the
surface in various different ways. A silence ingrained into this
past of mine that seems to me so strange, so vague.
Between reality and me there is a veil that my thoughts cannot tear
apart. Will you simply think at yourself?
Just yourself, if only for a second.
......................................................................
[Living together with others]
Someone says that anything is transcendental and it is more or less
real, just like reality - rainbows, seas, continents, mountains as
well as every single being, every single animal, every single
object.
Although many times I feel like I am dying, I still continue to ask
from Art a way to reveal my soul to me. So my mind can freeze for a
moment while it understands that I, actually, I exist for real, that
I’m truly made of flesh, nerves, blood, energy.
Sometimes my lips whisper a love song, or I teardrop instinctually,
crying for someone I do not know yet. Are we really able to love
with that kind of love we really need and wish for ourselves?
......................................................................
[Meanings and quest]
I guess I would be quite happy if I could blow away every single one
of my thoughts, every single motion, in order to let myself drown
deeper and deeper in an empty life, just ordinary: prosaic work and
no knowledge at all. Stupidly, if not shabbily joyful, I would drink
the water of this human existence without asking where it is its
source.
Sometimes, I wonder if happiness exists only for those who know that
they can no longer feel it. When I come to the mystery, and I
understand it, I’m frightened. Are you?
No, art can’t speak about itself, at least not this particular form
of art which you feel is yours and you nourish through. Nevertheless,
I ask you not to doubt it. Sometimes, in your eyes, it might seem
too much, or not enough at all. I ask you at least not to doubt your
suffering, because you will suffer much more and in vain, if one day
you’ll realize that you doubt it.
......................................................................
[Different sentiments]
You can feel love for someone without being there. Without uttering
a single word. During your day, you may pronounce nonsensical
sentences (everybody does it): in those moments you know you forget
yourself and, even if you are going to talk with someone about your
art, or just to yourself, you probably may even not remember how
much you love it. So, if you’re faithful to your statement or, you
have decided it to break it, it’s all right as well: rather then
speak of anything, just tell about nothing or don’t.
When you’ll see a work of yours after years, you will not know
anymore who you were and where and, it could comes that you’ll miss
yourself too.
......................................................................
[Why are you so]
How can you love being so far and, to be glad only by thinking to be
arrived when someone is not arrived yet? Do you have a secret? Don’t
you want to share it? Be confident. You have always known everything
about yourself, although you do not know anything yet. If you’ll
tell your secrets, you will understand them.
We pray, we love, we cheat, we confuse ourselves, we think, we feel,
we warn, we make illusions, we dream for a number of infinite times.
Everything we do is in order to help us forget - or bless - our name,
cast a spell, look for happiness. And if one day you’ll cry once
more, caught by the muddy spirals of sadness, you can still decide
to share your sorrows with that discipline that you see somehow
magic. Be shy, but not indifferent. Shiver, tremble or scream your
feelings and thoughts like a fire that shines through the night,
before it dies down. Meet in the chaos. Shoot a flash to enlighten
your path in most truly complete human way.
[Trends]
Be wrong, never banal.
Andrea
Pagnes, curator, writer, artist |
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